In this article, We will talk about the Moza Air Gimbal. This product is a small and lightweight gimbal that can be used on any mobile device. The Moza Air Gimbal includes two long-lasting batteries and a wireless hand grip to help with mobile photography.
Moza Air Gimbal Review
Gudsen Moza Air, a motorized gimbal platform on-handle, is designed to provide steady views and smooth motion for videographers. The aluminum tubing construction makes it 2.4lb/1.1kg once all is done, and the batteries have been loaded. It has two large cut-out runners, two sizes of threaded screw heads, and plenty of space to move cameras forwards and backward.
The maximum space between the cam retaining screws and the right-hand arm is 3 7/8in/97mm. This is not an issue when fitting a cam into the space. It’s more important for attaching cables to ports on the right side of the cam.
You can control the platform’s 360-degree tilt, roll, and yaw movements via the joystick on the main handle. These actions can be remotely controlled via Bluetooth 4.0. Users can also control settings and motion through the Moza Air app. A micro USB port is available for connecting to remote came control sockets.
To power the device, three 3.7V lithium-ion batteries are dropped into the handle. Gudsen claims that their 2000mAh capacity can drive the gimbal between four and eight hours. The battery life numbers are quite different depending on the weight of the cam and the power needed to keep it in place.
The Moza Air is beautifully packaged in a hard case that includes a variety of accessories. The standard kit came with two different accessories, so I am not sure exactly what I got. The basic kit includes the main handle, the gimbal, and the battery compartment. The box also contains a set of handlebars that can be used with both hands, while the thumb controller controls the head movements.
You can connect the handle to compatible cameras to control stop/start recording, and there is a bracket to support heavy lenses. A mini-tripod attaches to the threaded bottom of the handle. This is a great way to balance the camera, and it can also be extended to give you a wider field of motion.
It is not easy to switch lenses while on a shoot. You will need to take a break to balance the gimbal. It is a good idea to have a mini tripod with you in case your kit needs to change. If your camera has in-camera level settings, it is a great way to ensure that the cam is balanced.
Moza Air’s arm brackets slide well to make leveling easy. The Moza Air has three brackets that can be balanced, so it doesn’t take a long time. However, the measurement markings on each arm make it easier to find the correct position when attaching an old camera or lens combination. A quick-release plate would make it easier to keep the cam screw in its place.
The stop/start function can be very useful. The thumb rocker’s proximity is helpful for controlling the cam angle without changing the grip of your hand on the handle. Although the rocker controls the direction of the gimbal’s travel, it cannot be used to tilt the cam to the right or left. It takes practice to master the smooth motion.
The Moza Air is light in weight but can be quite heavy when used. This is not an inherent defect of the Moza Air, but the fact that the cam must be held at an angle for long periods of time makes it heavy.
A small microphone that is not too restricted will be best for recording sound from a hot shoe-mounted microphone. The gimbal can be used in an upright position, so there’s plenty of space for a microphone. However, if you tilt it forward to the flashlight position, the brackets will clash with the back.
For low-angle shots, the cam can be slung underneath the gimbal. However, there are accessories points that can attach a mic to the came. For most of the test, I used the Rode VideoMic Pro or Pro+ Hotshoe and attached it to my handlebars when the cam was slung low.
Action In Motion
The second version of the gimbal I received was vastly improved over the very first. The motor is stronger or more tuned. It can hold more weight in difficult positions for longer periods of time without giving up and throwing away the camera – something that happened quite often with the earlier model.
It is amazing that the gimbal can support and stabilize the cam at a variety of angles. This allows users to create crane-like sequences by moving the camera from one angle to another. Side-to-side support can be very useful, though it is possible for cables or screens to stick out from the sides of the camera.
You can use Moza Air’s controller to perform tilt and turn actions. The handle can be held in an upright position so that the cam can be rotated 360 degrees around the vertical axis. Tilt motions are more subtle. While I wasn’t expecting to be able to get the cam to look straight down, I would have liked to see a wider range of tilt angles. The head won’t hold the camera long enough to flip out at extreme angles.
Because the increments on the controller are not precise and jerky, it doesn’t allow for fine movements or adjustments while filming. Users will benefit from the Bluetooth thumb controller included in the kit.
This controller provides more precision and offers a larger joystick with a wider range. The thumb controller allows the head to be controlled at different speeds and can also customize how it works. It can also tell the system which camera it is currently using. The brand of the camera is essential for the system to operate correctly.
The Mimic Motion Control feature has made a huge difference in the way movements are communicated to the head. The thumb-controller can be attached to the handlebars and set to the appropriate mode.
This allows the user to control the head remotely by simply moving the handlebars – the head will follow every action. This allows for finer movements and complete control over the speed at which your head moves. This makes a big difference in how the camera angle can be controlled when the rig mounts on a tripod or is carried by a third party.
The cabled remote connects to the camera’s remote control socket via USB. Recording can be initiated or stopped by using the thumb controller or the buttons on the handle of the gimbal. Canon compatible cameras can also be controlled from the remote buttons.
Stop/start is especially useful because you don’t need to adjust your grip on the handle in order to start the recording. However, this will result in a few seconds worth of wobbly footage at each clip’s beginning and ending. This feature can be very useful in saving time and a lot of memory cards capacity when you have many scenes.
We tried the app on my iPhone 5s. The early versions were prone to hanging, and the displays sometimes lacked the information the head was requesting. Although the app allows you to control the head via a virtual joystick, I found it difficult to convey precise instructions due to the lag.
You can also program the speed of your head, calibrate the motors, and calculate the angles of movement in each controllable ax. Although the original version was difficult to use, it has improved greatly since then.
The app allows filmmakers to control the timelapse feature of the head. This allows them to set the start and endpoints of the motion sequence, as well as three additional points that the head will cover during the action. The head can also move from one side to the other or up and down, as it can travel in all directions throughout the four segments of timelapse. The head initially moved continuously throughout the sequence. This was not ideal for people who wanted to use slow shutter speeds. My first timelapse sequences were a little jerky.
A firmware update has allowed the head and shutter to sync and offer a move stop-shoot-move sequence that holds the camera still even though the shutter is open. This works with cameras compatible with the cabled remote. You can now control the final result with the timelapse feature. It will also start and stop shooting for cameras that plug into your head.
This gimbal has been a pleasant surprise to me. It was expected to help stabilize the camera during walking shots, but I wasn’t expecting the level of correction it offers when running. It can work very well with the gimbal if it is kept within the limits of angles. Now it is up to you to find the extremes. It was inevitable that it would have to be able to handle angles it couldn’t, but normal shooting will not require the more challenging poses I requested in testing. It was easy to adjust to its capabilities and make it work with my movements, so the gimbal wasn’t as hard to control.
On a few occasions, the motor’s hum was so loud that it could be heard in the audio. These were not only instances of handheld or demanding photography with heavy equipment. They also happened while the MozaAir was mounted on a tripod. The whirring can usually be resolved by rebalancing your camera. But sometimes, that was not enough. It would disappear by itself.
The battery life is good, and a set of three can keep the Moza running for at least four hours. It was also a safer way to ensure that the batteries are still charged the next time you shoot.
The Moza Air Gimbal is a great tool for the follow-focus. It’s easy to use and makes it simple to keep your subject in focus while you’re filming.
The Moza Air Gimbal is the perfect tool for creating smooth and cinematic video footage. This powerful gimbal can handle cameras up to 8 pounds, making it a great choice for shooting with DSLRs or mirrorless cameras. The Air’s intuitive controls make it easy to create smooth, cinematic pans and tilts, and its fast-response motors ensure smooth and accurate movement.
Overall, Moza Air performed well during the test. It allowed me to take many shots that I would not have otherwise. The updated timelapse feature is really helpful.
Balance the Moza Air
The base plate supports the camera, which you can move around to balance. Although it is a bit fiddly at first, it’s not nearly as frustrating as setting up a FlyCam-style weighted stabilizer.
You can add extra handles to your rig to increase stability and support it without adding weight.
The Air is easy to use with three modes. Yaw follows tracks your movements and keeps the camera level as you move side to side. Yaw/tilt follows does the same thing but also allows you to tilt the camera. You can also use full lock mode to keep yaw and tilt locked unless you move them with the joystick.
The camera can be mounted on the top, under, or flat forward. However, if you don’t have a flip-out monitor, you will have trouble seeing the rear screen.
It’s not horrible. It can be seen if you hold the camera to your right. But if you move it to your left, it becomes very difficult to see what’s going on. You can always mount an external monitor on the handles, but that’s just another option.
The Moza Air is lightweight but still bulky enough to be carried around for a shoot if you attach a camera. This is how it will feel: After five minutes of carrying it around one- or two-handed, it’s going to hurt your back.
Moza comes with a set of tripod legs that you can attach to the bottom so you can place it on the ground. These legs are also useful for precisely controlling pan movements while you shoot.
You can attach the gimbal to any other rig using the screw mount at the bottom. This includes vehicle mounts, cable cameras, sliders, and other motion rigs. However, we aren’t sure how much trust we would place on top of an expensive camera.
Reviewing footage from the back of your camera can cause the gimbals to flip out and turn themselves off. It is better to hold the joystick button down to turn off motors and then go to Standby mode.
The battery life is quite good. Although you don’t use it every day, we haven’t had to charge the battery in the middle of the day. You can always get more batteries if you plan to make it harder.
Here is the full of Moza Air reviews. If you are interested in knowing more about other reviews, then check out:
Mirrorless cameras are becoming more and more popular and for good reason. They’re lightweight and versatile, and the Moza Air Gimbal makes them even more so. This gimbal is designed to work with mirrorless cameras, and it does a great job of stabilizing the footage. The Moza Air is easy to use, and it makes shooting smooth, cinematic footage a breeze. If you’re looking for a great gimbal for your mirrorless camera, the Moza Air is well worth a look.